Favourite Poem

[Ricardo Reis]

Should Somebody One Day


Should somebody one day knock at your door
Announcing he's an emissary of mine,
Never believe him, nor that it is I;
For to knock does not go with my vanglory,
Even at the unreal door of the sky.

But should you, naturally and without hearing
Anyone knock, come to your door, unbar it
And find somebody waiting (it appears)
To dare to knock, give it some thought. It was
My emissary and I and the retinue of my glorying
In what drives to despair and what despairs.
Unbar to who does not knock at your door!


(05-09-1934)

'Selected Poems', Fernando Pessoa.

[Martín Zalacaín]

The Sorrow Of Love
W. B. Yeats


THE quarrel of the sparrows in the eaves,
The full round moon and the star-laden sky,
And the loud song of the ever-singing leaves,
Had hid away earth's old and weary cry.

And then you came with those red mournful lips,
And with you came the whole of the world's tears,
And all the sorrows of her labouring ships,
And all the burden of her myriad years.

And now the sparrows warring in the eaves,
The curd-pale moon, the white stars in the sky,
And the loud chaunting of the unquiet leaves
Are shaken with earth's old and weary cry.


(Here you can find a very advisable song by Agalloch based on this superb poem).

[VintageDivaVal]

WARNING
By Jenny Joseph

When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick the flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

[Delbáeth]

A Mother's Lament For the Death of Her Son.

Fate gave the word, the arrow sped,
And pierc'd my darling's heart;
And with him all the joys are fled
Life can to me impart.

By cruel hands the sapling drops,
In dust dishonour'd laid;
So fell the pride of all my hopes,
My age's future shade.

The mother-linnet in the brake
Bewails her ravish'd young;
So I, for my lost darling's sake,
Lament the live-day long.

Death, oft I've feared thy fatal blow.
Now, fond, I bare my breast;
O, do thou kindly lay me low
With him I love, at rest!

- Robert Burns.

[Salford]

Eloisa to Abelard

In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love! — From Abelard it came,
And Eloisa yet must kiss the name.
Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:
O write it not, my hand — the name appears
Already written — wash it out, my tears!
In vain lost Eloisa weeps and prays,
Her heart still dictates, and her hand obeys.

Relentless walls! whose darksome round contains
Repentant sighs, and voluntary pains:
Ye rugged rocks! which holy knees have worn;
Ye grots and caverns shagg'd with horrid thorn!
Shrines! where their vigils pale-ey'd virgins keep,
And pitying saints, whose statues learn to weep!
Though cold like you, unmov'd, and silent grown,
I have not yet forgot myself to stone.
All is not Heav'n's while Abelard has part,
Still rebel nature holds out half my heart;
Nor pray'rs nor fasts its stubborn pulse restrain,
Nor tears, for ages, taught to flow in vain.

Soon as thy letters trembling I unclose,
That well-known name awakens all my woes.
Oh name for ever sad! for ever dear!
Still breath'd in sighs, still usher'd with a tear.
I tremble too, where'er my own I find,
Some dire misfortune follows close behind.
Line after line my gushing eyes o'erflow,
Led through a sad variety of woe:
Now warm in love, now with'ring in thy bloom,
Lost in a convent's solitary gloom!
There stern religion quench'd th' unwilling flame,
There died the best of passions, love and fame.

Yet write, oh write me all, that I may join
Griefs to thy griefs, and echo sighs to thine.
Nor foes nor fortune take this pow'r away;
And is my Abelard less kind than they?
Tears still are mine, and those I need not spare,
Love but demands what else were shed in pray'r;
No happier task these faded eyes pursue;
To read and weep is all they now can do.

Then share thy pain, allow that sad relief;
Ah, more than share it! give me all thy grief.
Heav'n first taught letters for some wretch's aid,
Some banish'd lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires,
The virgin's wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.

Continued here:
"Eloisa to Abelard" by Alexander Pope

Alexander Pope

[Phlegethon]

THE VANITY OF THE WORLD


False world, thou ly'st: thou canst not lend
The least delight:
Thy favors cannot gain a friend,
They are so slight:
Thy morning pleasures make an end
To please at night:
Poor are the wants that thou supply'st,
And yet thou vaunt'st, and yet thou vy'st
With heaven: fond earth, thou boasts; false world, thou ly'st.

Thy babbling tongue tells golden tales
Of endless treasure;
Thy bounty offers easy sales
Of lasting pleasure;
Thou ask'st the conscience what she ails,
And swear'st to ease her;
There's none can want where thou supply'st;
There's none can give where thou deny'st.
Alas! fond world, thou boasts; false world, thou ly'st.

What well-advisèd ear regards
What earth can say?
Thy words are gold, but thy regards
Are painted clay:
Thy cunning can but pack the cards,
Thou canst not play:
Thy game at weakest, still thou vy'st;
If seen, and then revy'd, deny'st:
Thou art not what thou seem'st; false world, thou ly'st.

Thy tinsel bosom seems a mint
Of new-coined treasure;
A paradise, that has no stint,
No change, no measure;
A painted cask, but nothing in 't,
Nor wealth, nor pleasure:
Vain earth! that falsely thus comply'st
With man; vain man! that thou rely'st
On earth; vain man, thou dot'st; vain earth, thou ly'st.

What mean dull souls, in this high measure,
To haberdash
In earth's base wares, whose greatest treasure
Is dross and trash?
The height of whose enchanting pleasure
Is but a flash?
Are these the goods that thou supply'st
Us mortals with? Are these the high'st?
Can these bring cordial peace? False world, thou ly'st.

FRANCIS QUARLES

[Salford]

THE GOOD-MORROW.
by John Donne


I WONDER by my troth, what thou and I
Did, till we loved ? were we not wean'd till then ?
But suck'd on country pleasures, childishly ?
Or snorted we in the Seven Sleepers' den ?
'Twas so ; but this, all pleasures fancies be ;
If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee.

And now good-morrow to our waking souls,
Which watch not one another out of fear ;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone ;
Let maps to other, worlds on worlds have shown ;
Let us possess one world ; each hath one, and is one.

My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest ;
Where can we find two better hemispheres
Without sharp north, without declining west ?
Whatever dies, was not mix'd equally ;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die

[Phlegethon]

My prime of youth is but a frost of cares,
My feast of joy is but a dish of pain,
My crop of corn is but a field of tares,
And all my goodes is but vain hope of gain.
The day is fled, and yet I saw no sun;
And now I live, and now my life is done!

My spring is past, and yet it hath not sprung,
The fruit is dead, and yet the leaves are green,
My youth is past, and yet I am but young,
I saw the world, and yet I was not seen.
My thread is cut, and yet it is not spun;
And now I live, and now my life is done!

I sought for death and found it in the wombe,
I lookt for life, and yet it was a shade,
I trade the ground, and knew it was my tombe,
And now I die, and now I am but made.
The glass is full, and yet my glass is run;

And now I live, and now my life is done!

CHEDIOCK TICHEBORNE

[Salford]

A Refusal to Mourn the Death, by Fire, of a Child in London

Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.

Dylan Thomas

[Salford]

The Conqueror Worm

Lo! 'tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.

Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly-
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Woe!

That motley drama- oh, be sure
It shall not be forgot!
With its Phantom chased for evermore,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness, and more of Sin,
And Horror the soul of the plot.

But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!- it writhes!- with mortal pangs
The mimes become its food,
And seraphs sob at vermin fangs
In human gore imbued.

Out- out are the lights- out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
While the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, "Man,"
And its hero the Conqueror Worm.

by Edgar Allan Poe

[Phlegethon]

IN DARKNESS LET ME DWELL

In darkness let me dwell; the ground shall sorrow be,
The roof despair, to bar all cheerful light from me;
The walls of marble black, that moist'ned still shall weep;
My music, hellish jarring sounds, to banish friendly sleep.
Thus, wedded to my woes, and bedded in my tomb,
O let me dying live, till death doth come, till death doth come.

My dainties grief shall be, and tears my poison'd wine,
My sighs the air, through which my panting heart shall pine:
My robes my mind shall suit exceeding blackest night,
My study shall be tragic thoughts, sad fancy to delight.
Pale ghosts and frightful shades shall my acquaintance be:
O thus, my hapless joy, I haste to thee, I haste to thee.


- John Dowland

[Errigal]

Mending Wall
by Robert Frost


Something there is that doesn't love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbor know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

'Stay where you are until our backs are turned!'

We wear our fingers rough with handling them.

Oh, just another kind of outdoor game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, 'Good fences make good neighbors.'

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

'Why do they make good neighbors? Isn't it

Where there are cows? But here there are no cows.

Before I built a wall I'd ask to know

What I was walling in or walling out,

And to whom I was like to give offense.

Something there is that doesn't love a wall,

That wants it down.' I could say 'Elves' to him,

But it's not elves exactly, and I'd rather

He said it for himself. I see him there

Bringing a stone grasped firmly by the top

In each hand, like an old-stone savage armed.

He moves in darkness as it seems to me,

Not of woods only and the shade of trees.

He will not go behind his father's saying,

And he likes having thought of it so well

He says again, 'Good fences make good neighbors.'

[Salford]

The Burning Babe

As I in hoary winter's night stood shivering in the snow,
Surprised I was with sudden heat which made my heart to glow;
And lifting up a fearful eye to view what fire was near,
A pretty babe all burning bright did in the air appear;
Who, though scorched with excessive heat, such floods of tears did shed,
As though his floods should quench his flames, which with his tears were fed.
"Alas," quoth he, "but newly born, in fiery heats I fry,
Yet none approach to warm their hearts, or feel my fire but I!
My faultless breast the furnace is, the fuel wounding thorns,
Love is the fire, and sighs the smoke, the ashes shame and scorns;
The fuel justice layeth on, and mercy blows the coals,
The metal in this furnace wrought are men's defiled souls,
For which, as now on fire I am to work them to their good,
So will I melt into a bath to wash them in my blood."
With this he vanished out of sight and swiftly shrunk away,
And straight I called unto mind that it was Christmas Day.


Robert Southwell

[ImperiaBG]

HEARTY

I hardly will live

all my own days.

My blood is loaded

with disruption

and with questions

wich wallop my temples

to white – hot.

Why am I?

Who am I?

Where staing time?

If I am still here

when my pulse

is raving mad

and after it is

menacingey intermittent?

I don’t believe

in the last accounts –

the senility`s scales

are so faithless.

But in one instant

before to explode

I will know

who are dead

and alive

why are...

HOME - COMING

All my directions – blind and wild

which sent me untile now

there and everywhere –

why again it`s stop me guilty

to your little hands my dear.

Your eyes – in love – like a sea

your heart which always waiting for me

so warmly, to forgive and say:

“You are just like a child”.

But it is silver in my hair

and lots off questions in my mind.

I lost you so far before,

now meaby I`m late to find.

A LETTER TO YOU

I never loved another woman

after you.

The man can swear

with love once,

for that now

I am alone.

But for me

it is enough that you`re existing

under the some sky.

My sky is wintry

but around you I hope

it is spring – like ever.

So what if I am

maybe naive

and after me can

often hear laugh?!

I wish to kiss your hand

because

I can meet the automn

still in love, thanks to you.

Translation Polina Todorova