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| Cinema & TV The art or technique of making films; filmmaking. The industry of producing and broadcasting television programs. |
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I've seen this movie again yesterday on TV, what can I say, great movie, 10/10, my favourite all time...
Much better than American westerns (although I liked High Noon with Gary Cooper for example, but still, this is much better), and waaaaaaaaaaaay better than ANY movie made in last 10 years, particularly the American ones which are complete crap if you ask me. Great characters, great story, legendary dialogs, great music, great scenes... ![]() The end scene is probably the greatest scene ever. Trailer for the movie
Compare this trailer with modern trailer and you can see the quality, less talking in trailer is better. ![]() Anyway, the movie is about three different characters searching Confederate gold during American civil war - Blondie (The Good, cold-tempered bounty killer), Angel Eyes (The Bad, sociapathic killer and mercenary) and Tuco (The Ugly, Mexican bandit who talks a lot and a typical bandit scumbag accused of all kinds of different crimes and wanted by authorities). Btw in the trailer The Ugly and The Bad are switched. I recomend this to everyone who haven't seen it yet.
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The end scene is interesting because of Blondie's cunning. First of all, he hasn't written anything on the stone -- so if he gets killed the survivor/s won't be able to understand that the blank stone means the grave with no name on it. Secondly, he's emptied Tuco's revolver. So while Angel Eyes has his attention divided between two rivals, Blondie can focus just on Angel Eyes: a decisive advantage.
The unrealistic part of the film is when the near-illiterate Tuco runs around the cemetery scanning the names of hundreds, if not thousands, of names (earlier on he had been unable to read a simple note from Angel Eyes). The film is part of the genre of "Spaghetti Westerns": the director was the Italian Sergio Leone, and the films are distinguished by silences and laconic speech. |
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The whole "Man with no Name" trilogy is a remake of "Yojibo", which was directed by Akira Kurosawa.
Watch the original and pretty soon you will forget all spaggheti westerns you have seen. ![]()
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![]() 5 Stages of Acceptance: Denial: The initial stage: "It can't be happening." Ricardo is on top of me. Anger: "Why ME? It's not fair?!" (either referring to God, oneself, or Ricardo perceived, rightly or wrongly, as "responsible") Bargaining: "Just let me stay to post another day Ricardo, please." Depression: "I'm so sad, why are you picking on me Ricardo?" Acceptance: "It's going to be OK." There is always Skadi.
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Quote:
![]() Quote:
As far as I know, only the story of Fistfull of dollars was a copy...
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Oh... then I've seen both.
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While the rest of mankind seeks for the sake of finding and of knowing, the Westerner of today seeks for the sake of seeking; the Gospel saying, 'Seek and ye shall find,' is a dead letter for him, in the full force of this phrase, since he calls 'death' anything and everything that constitutes a definite finality, just as he gives the name 'life' to what is no more than fruitless agitation. René Guénon, East and West
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You've seen one Spaghetti Western, you've seen them all.
But Kurosawa -- he's in a league of his own (The Seven Samurai, Rashoman, Ran, etc.). "The Seven Samurai" was copied by Hollywood (maybe other Kurosawa films as well). |
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I've seen this film with my father at the cinémathèque de Paris in 99. A non-restaured, italian integral version (182 min.) borrowed from Leone's widow collection. We expected the audience to be in their 50's, and we were amazed to see that the average spectator was about my age (22 at the time). Btw, french, italian and spanish versions are way superior to the original english IMO.
However, my favourite Leone's film is "Duck, you sucker!". James Coburn is such a better actor than Clint Eastwood. Sergio Leone once said to Eastwood: "You only have two expressions: one with the hat, and the other without the hat!". End of their friendship. ![]()
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"Un con qui marche ira toujours plus loin que deux intellectuels assis."
Last edited by Savorgnan; Tuesday, April 1st, 2008 at 00:02. |
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Eh eh, the movies of my youth ... they were considered so and so products, very popular indeed ... critics were too busy kowtowing to Pasolini and , ok, Fellini.
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Communism and socialism are so utopistically detached from the true nature of man that politicians and militants pursuing them are either criminals exploiting the gullibles of earth or they are just the worst among the honest politicians.
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Like Monicelli's (bloody communist btw) cinema. "L'Armata Brancaleone" is one of my favorites films. Age and Scarpelli's linguistic invention is a masterpiece.
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"Un con qui marche ira toujours plus loin que deux intellectuels assis."
Last edited by Savorgnan; Monday, March 31st, 2008 at 21:48. |
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